FIELDS

The result of observation of a rationally based agrarian technology of survival, the most productive use of each segment of the landscape, which, through the author’s vision, is translated from rationality into the poetry of purely abstract forms. The author creates weightless abstract dynamic compositions as a metaphor of labor and life itself.

To create the effect of detachment and separation from the real world, the author removes the usual coordinate system, horizon line, scale, everything that allows us to look for associations with the recognizable.